Interior Chinatown is unlike anything else I’ve read. The book is written as if it were a TV show, with exterior and interior shots and dialogue laid out in script format, but it’s also about a TV show and the lines between what’s ‘real’ in the universe of the book versus what’s only acting are never terribly clear. Charles Yu writes in the second person, which was much more palatable than the second person narrative in The Raven Tower.
Even if Older Brother were not actually a real person, he would still be the most important character in some yet-to-be-conceived story of Chinatown. Would still be real in everyone’s minds and hearts, the mythical Asian American Man, the ideal mix of assimilated and authentic.Interior Chinatown, Charles Yu
Despite the confusion about what was happening, Interior Chinatown managed to maintain interest. The reflections on living as an Asian-American weren’t subject to the same uncertainly as the action of the plot; the descriptions of living in the SRO above the Golden Palace restaurant (or the film set of the restaurant…) were particularly memorable.
Your whole life you’ve wanted to be Kung Fu Guy, to be something you are not, and here is this person who is whatever she is at all times.Interior Chinatown, Charles Yu
The romance was sweet, though the rapid jumps in timeline meant it didn’t have as deep an emotional impact as it might otherwise have done. The biggest problem with Interior Chinatown was that it set the scene at one pace but then sped through the rest of the story so much faster that it felt disjointed.
It was a surprise to find Interior Chinatown listed as a comedy; the comedic tone didn’t come through, though that may be because Charles Yu was parodying a specifically American experience. The section which was supposed to be a children’s show was particularly surreal, so that may have been funny to people who found comedy in Geek Love.
Overall, Interior Chinatown probably merits a second read at some point in the future.