Despite taking a Jane Austen module at university, I was certain I hadn’t read Northanger Abbey. Imagine my surprise when I opened the book and found notes, in my own handwriting, all the way through! It’s never happened to me before that I have absolutely no memory of previously reading a book (though, I suppose the question is: how would I know? Spooky!). I can only assume that reading books for six modules, and reading several other Austens, Northanger Abbey didn’t have time to make much impression.
At length, however, having slipped one arm into her gown, her toilette seemed so nearly finished, that the impatience of her curiosity might safely be indulged.Northanger Abbey, Jane Austen
Catherine Morland feels incredibly different from Jane Austen’s other heroines. She’s neither in total possession of herself like Elizabeth, Emma and Elinor nor giddily irresponsible like Marianne or Lydia. Instead, she’s guileless and a little socially awkward. Watching her thrown into Society in Bath will little in the way of helpful guidance from anyone on how to pick her friends and acquaintances was very relatable, despite the wealth of years since Jane Austen was writing.
Speaking of characters, General Tilney is an amazing villain. Not, as Catherine thinks, because he might have murdered his wife, but because the ways he breaches etiquette feel as outrageous today as they presumably did over two hundred years ago. Contrasted against her father and Isabella, Eleanor shines as friend worth making. As the romantic lead, Henry is… fine. He’s certainly no Mr Darcy. There are moments where his teasing of Catherine seems based in intelligence and affection, but then Austen also explicitly states that he only fell for her because she was interested in him, which is hardly the stuff of a great love story.
From that point on, it has been the novel’s fate to be read by successive generations who have not read the books to which its author and its characters make reference.Introduction to Northanger Abbey, David Blair
Of all Jane Austen’s novels, Northanger Abbey particularly needs a good introduction, and David Blair does a decent job. Some sentences are a little wordy, but the main points are interesting and illuminate the text. The point he makes about Catherine’s taste for novels giving her a vocabulary to express her discomfort with General Tilney made a nice contrast to the usual perspective that Catherine is a young woman carried into foolishness by her overactive imagination.
Northanger Abbey‘s ending is a little abrupt. Austen never really dwells on what happens between the proposal and the wedding, but in this case, her quick summary and dismissal of Eleanor’s contribution to proceedings felt unearned. If that plot line had been brought up earlier, it would have been more satisfying, and it’s not as if the book is overlong as it is!
Despite enjoying Northanger Abbey more than I expected to, it doesn’t quite displace Emma as my current favourite Jane Austen novel.