Northanger Abbey by Jane Austen — Reread Review, Bookclub Too


Despite taking a Jane Austen module at university, I was certain I hadn’t read Northanger Abbey. Imagine my surprise when I opened the book and found notes, in my own handwriting, all the way through! It’s never happened to me before that I have absolutely no memory of previously reading a book (though, I suppose the question is: how would I know? Spooky!). I can only assume that reading books for six modules, and reading several other Austens, Northanger Abbey didn’t have time to make much impression.

At length, however, having slipped one arm into her gown, her toilette seemed so nearly finished, that the impatience of her curiosity might safely be indulged.

Northanger Abbey, Jane Austen

Catherine Morland feels incredibly different from Jane Austen’s other heroines. She’s neither in total possession of herself like Elizabeth, Emma and Elinor nor giddily irresponsible like Marianne or Lydia. Instead, she’s guileless and a little socially awkward. Watching her thrown into Society in Bath will little in the way of helpful guidance from anyone on how to pick her friends and acquaintances was very relatable, despite the wealth of years since Jane Austen was writing.

Speaking of characters, General Tilney is an amazing villain. Not, as Catherine thinks, because he might have murdered his wife, but because the ways he breaches etiquette feel as outrageous today as they presumably did over two hundred years ago. Contrasted against her father and Isabella, Eleanor shines as friend worth making. As the romantic lead, Henry is… fine. He’s certainly no Mr Darcy. There are moments where his teasing of Catherine seems based in intelligence and affection, but then Austen also explicitly states that he only fell for her because she was interested in him, which is hardly the stuff of a great love story.

From that point on, it has been the novel’s fate to be read by successive generations who have not read the books to which its author and its characters make reference.

Introduction to Northanger Abbey, David Blair

Of all Jane Austen’s novels, Northanger Abbey particularly needs a good introduction, and David Blair does a decent job. Some sentences are a little wordy, but the main points are interesting and illuminate the text. The point he makes about Catherine’s taste for novels giving her a vocabulary to express her discomfort with General Tilney made a nice contrast to the usual perspective that Catherine is a young woman carried into foolishness by her overactive imagination.

Northanger Abbey‘s ending is a little abrupt. Austen never really dwells on what happens between the proposal and the wedding, but in this case, her quick summary and dismissal of Eleanor’s contribution to proceedings felt unearned. If that plot line had been brought up earlier, it would have been more satisfying, and it’s not as if the book is overlong as it is!

Despite enjoying Northanger Abbey more than I expected to, it doesn’t quite displace Emma as my current favourite Jane Austen novel.

Rating: 3 out of 5.

Interior Chinatown by Charles Yu — New Review, Bookclub Too


Interior Chinatown is unlike anything else I’ve read. The book is written as if it were a TV show, with exterior and interior shots and dialogue laid out in script format, but it’s also about a TV show and the lines between what’s ‘real’ in the universe of the book versus what’s only acting are never terribly clear. Charles Yu writes in the second person, which was much more palatable than the second person narrative in The Raven Tower.

Even if Older Brother were not actually a real person, he would still be the most important character in some yet-to-be-conceived story of Chinatown. Would still be real in everyone’s minds and hearts, the mythical Asian American Man, the ideal mix of assimilated and authentic.

Interior Chinatown, Charles Yu

Despite the confusion about what was happening, Interior Chinatown managed to maintain interest. The reflections on living as an Asian-American weren’t subject to the same uncertainly as the action of the plot; the descriptions of living in the SRO above the Golden Palace restaurant (or the film set of the restaurant…) were particularly memorable.

Your whole life you’ve wanted to be Kung Fu Guy, to be something you are not, and here is this person who is whatever she is at all times.

Interior Chinatown, Charles Yu

The romance was sweet, though the rapid jumps in timeline meant it didn’t have as deep an emotional impact as it might otherwise have done. The biggest problem with Interior Chinatown was that it set the scene at one pace but then sped through the rest of the story so much faster that it felt disjointed.

It was a surprise to find Interior Chinatown listed as a comedy; the comedic tone didn’t come through, though that may be because Charles Yu was parodying a specifically American experience. The section which was supposed to be a children’s show was particularly surreal, so that may have been funny to people who found comedy in Geek Love.

Overall, Interior Chinatown probably merits a second read at some point in the future.

Rating: 2.5 out of 5.