When book club nominated a book with a lighthouse on the cover, obviously I had to vote for it! The Lamplighters actually has two covers, both with lighthouses, but which give wildly different ideas of what the book is going to be like, so I was curious to see which one would prove more accurate.
A fifty-metre column of heroic Victorian engineering, the Maiden looms palely magnificent against the horizon, a stoic bastion of seafarers’ safety.The Lamplighters, Emma Stonex
Like most of the lighthouse books on this blog, The Lamplighters is historical fiction, set when lighthouses were still manned rather than automatic, but it’s more recent than most, only going back to the 1970s. What also sets it apart is that it’s about a tower lighthouse, jutting directly out of the sea, where there isn’t space for keepers to bring their wives and families with them. Perhaps that was why it was difficult to keep the threads of the marriages straight. Arthur-and-Helen and Bill-and-Jenny merged into such a shapeless muddle that I had to make a note in my reading notebook which I referred back to every time there was a chapter from one of the wives’ perspectives.
Even after finishing The Lamplighters, it’s not entirely clear what happened in a couple of of the plots. Emma Stonex was clearly keeping information back from her readers, raising questions which you’d hope would be answered by the conclusion to the story. Except, several of them weren’t. Maybe it was intentional, because real life rarely offers neatly-wrapped solutions to every question, but in a novel billing itself as a mystery, it was more frustrating than thought-provoking.
The truth is that women are important to each other. More important than the men, and that isn’t what you’ll want to hear because this book, like all your others, is about the men, isn’t it? Men are interested in men.The Lamplighters, Emma Stonex
Those plots which did feel complete were enjoyable, particularly the stories of those left behind: Jenny, Helen and the novelist Dan Sharp. (Michelle, despite being the most distinct of the female characters, sadly got a bit abandoned.) Bill’s storyline could have been more effectively handled, because the bare bones of it were interesting.
There was certainly a lot going on in The Lamplighters, arguably too much because no single plot or detail really got the attention and weight that it deserved. Maybe a less complex structure would’ve delivered the story with more impact. While I’ll be keeping this for lighthouse reasons, I won’t necessarily be running out to buy more books by Emma Stonex, unless one catches my interest or comes highly recommended.